smee sebastian lucian freud 1922 2011 beholding the animal
Smee Sebastian Lucian Freud. 1922-2011. Beholding the Animal
British artist Lucian Freud is widely considered the most important figurative painter working today. Master portraitist and specialist in nudes, Freud uses impasto to create depth and intensity while restraining his color palate to mostly muted hues. His portraits may be physically unflattering to their subjects, but they are honest, frank, and unapologetic. I paint people, Freud has said, not because of what they are like, not exactly in spite of what they are like, but how they happen to be.
1049 Руб.
Smee Sebastian Lucian Freud
Lucian Freud (1922-2011) was interested in the telling of truths. Always operating outside the main currents of 20th-century art, the esteemed portrait painter observed his subjects with the regimen and precision of a laboratory scientist. He recorded not only the blotches, bruises, and swellings of the living body, but also, beneath the flaws and folds of flesh, the microscopic details of what lies within: the sensation, the emotion, the intelligence, the bloom, and the inevitable, unstoppable decay. Despite rejecting parallels between him and his renowned grandfather, the correlation between Lucian Freud's sitting process for portraiture and Sigmund Freud's psychotherapy sessions is a fascinating element to this figurative oeuvre. Despite the thickness of the impasto surfaces, Freud's portraits of subjects as varied as the Queen, Kate Moss, and an obese job center supervisor penetrate the physicality of the body with a direct and often disarming insight. The result is as much a psychological interrogation as it is an uneasy examination of the relationship between artist and model. This book brings together some of Freud's most outstanding and unapologetic portraits, to introduce an artist widely considered one of the finest masters of the human form.
2122 Руб.
Smee Sebastian. Freud
Люсьен Фрейд (1922–2011) интересовался правдой. Всегда работая вне основных течений искусства 20-го века, уважаемый художник-портретист наблюдал за своими предметами с режимом и точностью ученого-лаборанта. Он зафиксировал не только пятна, кровоподтеки и припухлости живого тела, но и под изъянами и складками плоти микроскопические детали того, что находится внутри: ощущение, эмоцию, интеллект, цветение и неизбежное, неудержимое разложение. Несмотря на отрицание параллелей между ним и его знаменитым дедом, корреляция между процессом сидения Люсьена Фрейда для портретной живописи и психотерапевтическими сеансами Зигмунда Фрейда является захватывающим элементом этого фигуративного творчества. Несмотря на толщину пастозных поверхностей, фрейдовские портреты таких разных персонажей, как королева, Кейт Мосс и тучный руководитель центра занятости, проникают в телесность с прямым и часто обезоруживающим пониманием. В результате получается как психологический опрос, так и непростое исследование отношений между художником и моделью. В этой книге собраны некоторые из самых выдающихся и непримиримых портретов Фрейда, чтобы представить художника, которого многие считают одним из лучших мастеров человеческой формы.Lucian Freud (1922–2011) was interested in the telling of truth. Always operating outside the main currents of 20th-century art, the esteemed portrait painter observed his subjects with the regimen and precision of a laboratory scientist. He recorded not only the blotches, bruises, and swellingings of the living body, but also, beneath the flaws and folds of flesh, the microscopic details of what lies within: the sensation, the emotion, the intelligence, the bloom, and the inevitable, unstoppable decay.Despite rejecting parallels between him and his renowned grandfather, the correlation between Lucian Freud's sitting process for portraiture and Sigmund Freud's psychotherapy sessions is a fascinating element to this figurative oeuvre. Despite the thickness of the impasto surfaces, Freud's portraits of subjects as varied as the Queen, Kate Moss, and an obese job center supervisor, penetrate the physicality of the body with a direct, and often disarming, insight. The result is as much a psychological interrogation as it is an uneasy examination of the relationship between artist and model.This book brings together some of Freud's most outstanding and unapologetic portraits, to introduce an artist widely considered one of the finest masters of the human form.
2650 Руб.
Сми С. Freud
Lucian Freud (1922–2011) was interested in the telling of truths. Always operating outside the main currents of 20th-century art, the esteemed portrait painter observed his subjects with the regimen and precision of a laboratory scientist. He recorded not only the blotches, bruises, and swellings of the living body, but also, beneath the flaws and folds of flesh, the microscopic details of what lies within: the sensation, the emotion, the intelligence, the bloom, and the inevitable, unstoppable decay.Despite rejecting parallels between him and his renowned grandfather, the correlation between Lucian Freud’s sitting process for portraiture and Sigmund Freud’s psychotherapy sessions is a fascinating element to this figurative oeuvre. Despite the thickness of the impasto surfaces, Freud’s portraits of subjects as varied as the Queen, Kate Moss, and an obese job center supervisor penetrate the physicality of the body with a direct and often disarming insight. The result is as much a psychological interrogation as it is an uneasy examination of the relationship between artist and model.This book brings together some of Freud’s most outstanding and unapologetic portraits, to introduce an artist widely considered one of the finest masters of the human form.
2007 Руб.
Сми С. Freud
Lucian Freud (1922–2011) was interested in the telling of truths. Always operating outside the main currents of 20th-century art, the esteemed portrait painter observed his subjects with the regimen and precision of a laboratory scientist. He recorded not only the blotches, bruises, and swellings of the living body, but also, beneath the flaws and folds of flesh, the microscopic details of what lies within: the sensation, the emotion, the intelligence, the bloom, and the inevitable, unstoppable decay.Despite rejecting parallels between him and his renowned grandfather, the correlation between Lucian Freud’s sitting process for portraiture and Sigmund Freud’s psychotherapy sessions is a fascinating element to this figurative oeuvre. Despite the thickness of the impasto surfaces, Freud’s portraits of subjects as varied as the Queen, Kate Moss, and an obese job center supervisor penetrate the physicality of the body with a direct and often disarming insight. The result is as much a psychological interrogation as it is an uneasy examination of the relationship between artist and model.This book brings together some of Freud’s most outstanding and unapologetic portraits, to introduce an artist widely considered one of the finest masters of the human form.
2007 Руб.
Lucian Freud. Portraits
One of the foremost figurative artists working today, Lucian Freud has redefined portraiture and the nude through his unblinking scrutiny of the human form. And while most are familiar with Freud’s thickly impasted paintings, few realize how integral etching has become to his practice. Presenting an exceptional overview of Freud’s works on paper over his more than six-decade career, this oversized volume highlights the artist’s unconventional approach to the medium. Standing the copper etching plate upright on the easel, Freud treats the plate like a canvas as he depicts his sitters—very often friends, family members, or fellow artists—through meticulous networks of finely etched lines. Among Freud’s most notable trademarks is his tendency to dramatically crop figures and then isolate them against empty backgrounds, achieving through this juxtaposition a startling sense of psychological tension and formal abstraction. Freud is one of the most widely acclaimed British artists of our time and, with plentiful illustrations and an introduction by celebrated curator Norman Rosenthal, Lucian Freud: Portraits brings Freud’s lesser-known etchings deservedly to the forefront.
3121 Руб.
Mark Holborn. Lucian Freud: A Life
A breathtaking visual biography of Freud, told through his own words, unpublished private photographs, and painted portraitsThis unprecedented look at the private life of Lucian Freud begins with childhood snapshots and ends with rarely seen photographs made in his studio in the last weeks of his life. In between, the life of one of the most important artists of the twentieth and twenty-first centuries is vividly documented - through family photos, in images of the painter in his studio with some of his most celebrated sitters, and in portraits by his peers, first among them Francis Bacon.
25600 Руб.
Feaver William Lucian Freud
This volume, with more than 400 reproductions, will be the most comprehensive publication to date on Lucian Freud, covering a span of seventy years and including many works not previously reproduced. The result is a corpus of great works that reveal him to be the premier heir today of Rembrandt, Courbet, and Cezanne. The book includes not only Freud's paintings but also his sketches, woodcuts, and powerful etchings. While the bulk of his paintings are female nudes, his cityscapes, plant studies, and interiors, executed in his distinctive muted palette and visible brushwork, are all included. Freud, who has lived in London ever since his family left Berlin in 1933 when he was ten, has achieved preeminence through his ruthless perception of the human form. His importance has long been recognized in England, but his present super-celebrity status dates from a retrospective at the Hirshhorn in Washington, D.C., in 1987. William Feaver, painter and for many years art critic for The Observer, provides a unique account of Freud's preoccupations and achievement. Startling, moving, profoundly entertaining, the book lives up to Freud's advice to students when getting them to paint self-portraits: "To try and make it the most revealing, telling, and believable object. Something really shameless, you know."
9401 Руб.
Paul Celia Self-Portrait
I'm not a portrait painter. If I'm anything, I have always been an autobiographer. In Self-Portrait, Celia Paul reveals a life truly lived through art. She moves effortlessly through time, in words and images, from her arrival at the Slade School of Fine Art at sixteen, through a profound and intense affair with the older and better-known artist Lucian Freud, to the practices of her present-day studio. This intimate memoir is, at its heart, about a young woman navigating the path to artistic freedom, with all the sacrifices and complications that entails.
2869 Руб.
Smee S. The Art of Rivalry
This is a story about rivalry among artists. Not the kind of rivalry that grows out of hatred and dislike, but rather, rivalry that emerges from admiration, friendship, love. The kind of rivalry that existed between Degas and Manet, Picasso and Matisse, Pollock and de Kooning, and Freud and Bacon. These were some of the most famous and creative relationships in the history of art, driving each individual to heights of creativity and inspiration - and provoking them to despair, jealousy and betrayal. Matisse's success threatened Picasso so much that his friends would throw darts at a portrait of his rival's beloved daughter Marguerite, shouting 'there's one in the eye for Matisse!' And Willem de Kooning's twisted friendship with Jackson Pollock didn't stop him taking up with his friend's lover barely a year after Pollock's fatal car crash. In The Art of Rivalry, Pulitzer Prize-winning art critic Sebastian Smee explores how, as both artists struggled to come into their own, they each played vital roles in provoking the other's creative breakthroughs - ultimately determining the course of modern art itself.
1290 Руб.
Smee S. The Art of Rivalry
This is a story about rivalry among artists. Not the kind of rivalry that grows out of hatred and dislike, but rather, rivalry that emerges from admiration, friendship, love. The kind of rivalry that existed between Degas and Manet, Picasso and Matisse, Pollock and de Kooning, and Freud and Bacon. These were some of the most famous and creative relationships in the history of art, driving each individual to heights of creativity and inspiration - and provoking them to despair, jealousy and betrayal. Matisse's success threatened Picasso so much that his friends would throw darts at a portrait of his rival's beloved daughter Marguerite, shouting 'there's one in the eye for Matisse!' And Willem de Kooning's twisted friendship with Jackson Pollock didn't stop him taking up with his friend's lover barely a year after Pollock's fatal car crash. In The Art of Rivalry, Pulitzer Prize-winning art critic Sebastian Smee explores how, as both artists struggled to come into their own, they each played vital roles in provoking the other's creative breakthroughs - ultimately determining the course of modern art itself.
1290 Руб.
Lucian Freud's Sketchbooks
Lucian Freud was one of the world's greatest realist artists. Working only from life, he once claimed, 'I could never put anything into a picture that wasn't there in front of me.' This revelatory publication features a selection of beautifully reproduced images from his sketchbooks. Most of the sketches - which include works in pencil, pastel and watercolour from across the artist's long career - are published here for the first time. These fascinating images extend our understanding of Freud's work and demonstrate the scrutiny he brought to his subjects. The sketchbooks, now in the archive of the National Portrait Gallery, London, include portraits of Freud's family members, friends and lovers. Designs for book covers, images of his beloved dogs and horses, landscapes and interiors appear among nudes, still lifes and several sketches that relate to major works. Around and between the drawings are Freud's annotations and jottings - appointments, racing tips, notes, musings - which, with startling immediacy, provide a glimpse into the working life of one of the twentieth century's most important artists. The book includes an insightful essay by Martin Gayford, who sat for portraits by Freud and knew him well, and an illustrated chronology of the artist's life.
3824 Руб.
Irving John Hotel New Hampshire
'The first of my father's illusions was that bears could survive the life lived by human beings, and the second was that human beings could survive a life led in hotels.' So says John Berry, son of a hapless dreamer, brother to a cadre of eccentric siblings, and chronicler of the lives lived, the loves experienced, the deaths met, and the myriad strange and wonderful times encountered by the family Berry. Hoteliers, pet-bear owners, friends of Freud (the animal trainer and vaudevillian, that is), and playthings of mad fate, they 'dream on' in this funny, sad, outrageous, and moving novel.
2664 Руб.
Audio CD 100 Christmas Meditations (5 CD)
Треклист:1 Johann Sebastian Bach, 2 Michael Praetorius, 3 Antonio Vivaldi, 4 Johann Sebastian Bach, 5 Francesco Onofrio Manfredini, 6 Johann von Herbeck, 7 Johann Sebastian Bach, 8 Georg Friedrich Händel, 9 Vincenzo Galilei, 10 Johann Christoph Friedrich Bach, 11 Giovanni Gabrieli, 12 The Traditional, 13 Johann Melchior Molter, 14 The Traditional, 15 Johann Sebastian Bach, 16 The Traditional, 17 Giovanni Battista Bononcini, 18 Johann Sebastian Bach, 19 Georg Friedrich Händel, 20 Johann Sebastian Bach, 1 Georg Friedrich Händel, 2 The Traditional, 3 Arcangelo Corelli, 4 The Traditional, 5 Anonym, 6 The Traditional, 7 Francesco Barsanti, 8 The Traditional, 9 Tomaso Albinoni, 10 Giuseppe Maria Po Del Finale, 11 Francesco Onofrio Manfredini, 12 The Traditional, 13 Giovanni Gabrieli, 14 Johann Sebastian Bach, 15 Georg Friedrich Händel, 16 Edvard Grieg, 17 Giovanni Battista Pescetti, 18 The Traditional, 19 Georg Friedrich Händel, 20 Max Bruch, 1 Ave Maria (Fassung für Orchester), 2 Michael Praetorius, 3 Arcangelo Corelli, 4 Johann Sebastian Bach, 5 Antonio Vivaldi, 6 The Traditional, 7 Richard S. Willis, 8 Johann Sebastian Bach, 9 Francesco Mancini, 10 Karl Norbert Schmid, 11 The Traditional, 12 Johann Sebastian Bach, 13 Johann Heinrich Schmelzer, 14 Francesco Maria Benedetti, 15 Georg Friedrich Händel, 16 The Traditional, 17 Johann Sebastian Bach, 18 Johann Wolfgang Franck, 19 Arcangelo Corelli, 20 Johann Sebastian Bach, 1 Pietro Locatelli, 2 Jacobus Gallus, 3 Johann Sebastian Bach, 4 Adolphe Adam, 5 Josef Rheinberger, 6 Max Reger, 7 Edvard Grieg, 8 Felix Mendelssohn Bartholdy, 9 Peter Iljitsch Tschaikowsky, 10 Carl Neuner, 11 Georg Friedrich Händel, 12 The Traditional, 13 Johann Sebastian Bach, 14 The Traditional, 15 Alessandro Marcello, 16 Georg Philipp Telemann, 17 Antonio Vivaldi, 18 Franz Schubert, 19 John Loeillet, 20 Johann Sebastian Bach, 1 Johann Sebastian Bach, 2 Michael Praetorius, 3 Pietro Locatelli, 4 Camille Saint-Saens, 5 Tomaso Albinoni, 6 Max Bruch, 7 Georg Philipp Telemann, 8 Giuseppe Maria Po Del Finale, 9 Johann Sebastian Bach, 10 Giovanni Pierluigi da Palestrina, 11 Georg Philipp Telemann, 12 The Traditional, 13 Georg Christoph Wagenseil, 14 Paul Esterhazy, 15 Johann Sebastian Bach, 16 Johann Philipp Reichert, 17 Pierre-Gabriel Buffardin, 18 Max Bruch, 19 Josef Rheinberger, 20 Franz Xaver Gruber
7449 Руб.
Фрейд Зигмунд Dreams
Have you ever dreamt you were naked on stage, or woken having failed an exam? In these fascinating, pioneering essays, Sigmund Freud plunges into the recesses of our minds, and awakens the hidden meanings behind our most typical and surprising night-time fantasies. From dreams of violence and death, to the more prosaic moments in our dream-life, Freud shines a light on the darkness we are often happy left consigned to night. Selected from the books The Essentials of Psycho-Analysis and The Standard Edition of the Complete Psychological Works of the Sigmund Freud, Volume IV: The Interpretation of Dreams (First Part) by Sigmund Freud.
289 Руб.
Фрейд Зигмунд Dreams
Have you ever dreamt you were naked on stage, or woken having failed an exam? In these fascinating, pioneering essays, Sigmund Freud plunges into the recesses of our minds, and awakens the hidden meanings behind our most typical and surprising night-time fantasies. From dreams of violence and death, to the more prosaic moments in our dream-life, Freud shines a light on the darkness we are often happy left consigned to night. Selected from the books The Essentials of Psycho-Analysis and The Standard Edition of the Complete Psychological Works of the Sigmund Freud, Volume IV: The Interpretation of Dreams (First Part) by Sigmund Freud.
289 Руб.