michael ochs 1000 record covers
Michael Ochs. 1000 Record Covers
Record covers are a sign of our life and times. Like the music on the discs, they address such issues as love, life, death, fashion, and rebellion. For music fans the covers are the expression of a period, of a particular time in their lives. Many are works of art and have become as famous as the music they stand for — Andy Warhol's covers, for example, including the banana he designed for The Velvet Underground.This edition of Record Covers presents a selection of the best rock album covers of the 60s to 90s from music archivist, disc jockey, journalist, and former record-publicity executive Michael Ochs's enormous private collection. Both a trip down memory lane and a study in the evolution of cover art, this is a sweeping look at an underappreciated art form.
2748 Руб.
Ochs Michael 1000 Record covers
The sixties were the war years - and not just in Vietnam. In America, 1 there was a full-tilt war between adolescence and age - it was US against Them. US had long hair, free love, expanded consciousness, new highs, new lows, new clothes and new music. Them was stunting; straight, selfish, archaic and imperialistic. All this was communicat through the expanding music scene. As the teen idol and twist trends were strangling the life out of rock and roll, fresh sounds surfaced at home and abroad. In 1961, Bob Dylar played his first professional gig at Gerde's in New York and The Beatles opened at The Cavern in Liverpool. From the roots of American mu a musical revolution sprang - a global battle of the bands in which growth and change won the day. Every branch of rock and roll grew incredible new heights.
1012 Руб.
Пауло Х. Funk & Soul Covers
Following the success of Jazz Covers, this epic volume of groove assembles over 500 legendary covers from a golden era in Black music. Psychedelia meets Black Power, sexual liberation meets social conscience, and street portraiture meets fantastical comic art in this dazzling anthology of visualized funk and soul.Gathering both classic and rare covers, the collection celebrates each artwork’s ability to capture not only a buyer’s interest, but an entire musical mood. Browse through and discover the brilliant, the bold, the outlandish and the incredibly beautiful designs that fans rushed to get their hands on as the likes of Marvin Gaye, James Brown, Curtis Mayfield, Michael Jackson, and Prince changed the world with their unique and unforgettable sounds.Featuring interviews with key industry figures, Funk & Soul Covers also provides cultural context and design analysis for many of the chosen record covers.
3346 Руб.
Пауло Х. Funk & Soul Covers
Following the success of Jazz Covers, this epic volume of groove assembles over 500 legendary covers from a golden era in Black music. Psychedelia meets Black Power, sexual liberation meets social conscience, and street portraiture meets fantastical comic art in this dazzling anthology of visualized funk and soul.Gathering both classic and rare covers, the collection celebrates each artwork’s ability to capture not only a buyer’s interest, but an entire musical mood. Browse through and discover the brilliant, the bold, the outlandish and the incredibly beautiful designs that fans rushed to get their hands on as the likes of Marvin Gaye, James Brown, Curtis Mayfield, Michael Jackson, and Prince changed the world with their unique and unforgettable sounds.Featuring interviews with key industry figures, Funk & Soul Covers also provides cultural context and design analysis for many of the chosen record covers.
3346 Руб.
Paulo Joaquim Funk & Soul Covers
The golden age of African American music Following the success of Jazz Covers, this epic volume of groove assembles over 500 legendary covers from a golden era in African American music. Psychedelia meets Black Power, sexual liberation meets social conscience, and street portraiture meets fantastical cartoon in this dazzling anthology of visualized funk and soul. Gathering both classic and rare covers, the collection celebrates each artwork’s ability to capture not only a buyer’s interest, but an entire musical mood. Browse through and discover the brilliant, the bold, the outlandish and the sheer beautiful designs that fans rushed to get their hands on as the likes of Marvin Gaye, James Brown, Curtis Mayfield, Michael Jackson, and Prince changed the world with their unique and unforgettable sounds. Featuring interviews with key industry figures, Funk & Soul Covers also provides cultural context and design analysis for many of the chosen record covers.
3192 Руб.
Paulo Joaquim Funk & Soul Covers
The golden age of Black music Following the success of Jazz Covers, this epic volume of groove assembles over 500 legendary covers from a golden era in Black music. Psychedelia meets Black Power, sexual liberation meets social conscience, and street portraiture meets fantastical comic art in this dazzling anthology of visualized funk and soul. Gathering both classic and rare covers, the collection celebrates each artwork’s ability to capture not only a buyer’s interest, but an entire musical mood. Browse through and discover the brilliant, the bold, the outlandish and the incredibly beautiful designs that fans rushed to get their hands on as the likes of Marvin Gaye, James Brown, Curtis Mayfield, Michael Jackson, and Prince changed the world with their unique and unforgettable sounds. Featuring interviews with key industry figures, Funk & Soul Covers also provides cultural context and design analysis for many of the chosen record covers.
3676 Руб.
Joaquim Paulo. Funk & Soul Covers
The golden age of Black musicFollowing the success of Jazz Covers, this epic volume of groove assembles over 500 legendary covers from a golden era in Black music. Psychedelia meets Black Power, sexual liberation meets social conscience, and street portraiture meets fantastical cartoon in this dazzling anthology of visualized funk and soul. Gathering both classic and rare covers, the collection celebrates each artwork’s ability to capture not only a buyer’s interest, but an entire musical mood. Browse through and discover the brilliant, the bold, the outlandish and the sheer beautiful designs that fans rushed to get their hands on as the likes of Marvin Gaye, James Brown, Curtis Mayfield, Michael Jackson, and Prince changed the world with their unique and unforgettable sounds. Featuring interviews with key industry figures, Funk & Soul Covers also provides cultural context and design analysis for many of the chosen record covers.
8900 Руб.
Joaquim Paulo. Funk & Soul Covers
The golden age of Black musicFollowing the success of Jazz Covers, this epic volume of groove assembles over 500 legendary covers from a golden era in Black music. Psychedelia meets Black Power, sexual liberation meets social conscience, and street portraiture meets fantastical cartoon in this dazzling anthology of visualized funk and soul.Gathering both classic and rare covers, the collection celebrates each artwork’s ability to capture not only a buyer’s interest, but an entire musical mood. Browse through and discover the brilliant, the bold, the outlandish and the sheer beautiful designs that fans rushed to get their hands on as the likes of Marvin Gaye, James Brown, Curtis Mayfield, Michael Jackson, and Prince changed the world with their unique and unforgettable sounds.Featuring interviews with key industry figures, Funk & Soul Covers also provides cultural context and design analysis for many of the chosen record covers.
8500 Руб.
Paulo Joaquim Jazz Covers
This striking and innovative collection of jazz covers presents the designs that defined a sound. Containing record covers from the 1940s through to the early 1990s, each reproduction is accompanied with essential background information. Spanning photographic and illustrative works, these album artworks are a marriage of music and design and a remarkable history of jazz.
3139 Руб.
Julius Wiedemann. Art Record Covers
Беспрецедентная коллекция обложек пластинок артистов с 1950-х годов до наших дней. На заре модернизма визуальное и музыкальное производство имели особенно тесную связь. От футуристического манифеста Луиджи Руссоло 1913 года L'Arte dei Rumori («Искусство шума») до двусторонних дисков Марселя Дюшана 1925 года «Роторельефы» 20-й век стал свидетелем еще более плодотворного обмена между звуками и формами, знаками и мелодиями, а также различными областями композиции и производительность. В уникальной антологии обложек пластинок художников Франческо Спампинато мы обнаруживаем ритм этой особой культурной истории.В книге представлены 450 обложек и записей художников с 1950-х годов до наших дней, в которых исследуется, как модернизм, поп-арт, концептуальное искусство, постмодернизм и различные формы современного искусства повлияли на эту побочную область визуального производства и поддержали массовое распространение. музыки с определяющими образами, которые быстро и многозначительно вызывают слуховую встречу. По пути мы находим городские иероглифы Жана-Мишеля Баскии для его собственного лейбла Tartown, трафаретные граффити Бэнкси для Blur и бабочку Сальвадора Дали на вертеле в фильме Джеки Глисона «Одинокое эхо». Наряду с обложками есть проницательный анализ и информационные бюллетени с указанием исполнителя, исполнителя, названия альбома, лейбла, года выпуска и информации об оригинальном оформлении. Интервью с Таубой Ауэрбах, Шепардом Фейри, Ким Гордон, Кристианом Марклеем, Альбертом Оленом и Рэймондом Петтибоном добавляют личные отчеты о совместных отношениях между артистами и музыкантами.An unprecedented collection of artists’ record covers from the 1950s to today. Since the dawn of modernism, visual and music production have had a particularly intimate relationship. From Luigi Russolo’s 1913 Futurist manifesto L’Arte dei Rumori (The Art of Noise) to Marcel Duchamp’s 1925 double-sided discs Rotoreliefs, the 20th century saw ever more fertile exchange between sounds and shapes, marks and melodies, and different fields of composition and performance. In Francesco Spampinato’s unique anthology of artists’ record covers, we discover the rhythm of this particular cultural history. The book presents 450 covers and records by visual artists from the 1950s through to today, exploring how modernism, Pop Art, Conceptual Art, postmodernism, and various forms of contemporary art practice have all informed this collateral field of visual production and supported the mass distribution of music with defining imagery that swiftly and suggestively evokes an aural encounter. Along the way, we find Jean-Michel Basquiat’s urban hieroglyphs for his own Tartown record label, Banksy’s stenciled graffiti for Blur, and a skewered Salvador Dalí butterfly on Jackie Gleason’s Lonesome Echo. There are insightful analyses and fact sheets alongside the covers listing the artist, performer, album name, label, year of release, and information on the original artwork....
4150 Руб.
Francesco Spampinato. Art Record Covers
An unprecedented collection of artists record covers from the 1950s to today. Since the dawn of modernism, visual and music production have had a particularly intimate relationship. From Luigi Russolo s 1913 Futurist manifesto L Arte dei Rumori (The Art of Noise) to Marcel Duchamp s 1925 double-sided discs Rotereliefs, the 20th century saw ever more fertile exchange between sounds and shapes, marks and melodies, and different fields of composition and performance. In Francesco Spampinato unique anthology of artists record covers, we discover the rhythm of this particular cultural history. The book presents 500 covers and records by visual artists from the 1950s through to today, exploring how modernism, Pop Art, Conceptual Art, postmodernism, and various forms of contemporary art practice have all informed this collateral field of visual production and supported the mass distribution of music with defining imagery that swiftly and suggestively evokes an aural encounter. Along the way, we find Jean-Michel Basquiat s urban hieroglyphs for his own Tartown record label, Banksy s stenciled graffiti for Blur, Damien Hirst s synecdoche skull for The Hours, and a skewered Salvador Dalí butterfly on Jackie Gleason s Lonesome Echo. There are insightful analyses and fact sheets alongside the covers listing the artist, performer, album name, label, year of release, and information on the original artwork. Interviews with Tauba Auerbach, Shepard Fairey, Kim Gordon, Christian Marclay, Albert Oehlen, and Raymond Pettibon add personal accounts on the collaborative relationship between artists and musicians.
8590 Руб.
Busch Robbie, Kirby Jonathan Rock Covers
From Elvis to Nirvana: the most important record covers in rock history Album art is indelibly linked to our collective musical memories; when you think of your favorite albums, you picture the covers. Many photographers, illustrators, and art directors have become celebrities from their album artworks—the best examples of which will go down in history as permanent fixtures in popular culture. Paying tribute to this art form, Rock Covers brings you a compilation of more than 750 remarkable album covers, from legendary to rare record releases. Artists as varied as Elvis Presley, The Beatles, The Sex Pistols, Pink Floyd, The Cure, Iron Maiden, and Sonic Youth are gathered together in celebration of the cover art that defined their albums and their cult status. Each cover is accompanied by a fact sheet listing the art director, photographer or illustrator, year, label, and more, while nearly 250 records that marked particular turning points for a band, an artist, or the music genre, are highlighted with short descriptions. This far-reaching catalog of visualized rock is contextualized with insider interviews with five professionals who shaped the history of rock, and by top-10 record lists from ten leading rock collectors.
10928 Руб.
Spampinato F., Wiedemann ED.J. Art record covers. 40th anniversary edition
This unique anthology of artists’ record covers, from the 1950s to today includes more than 450 covers, tracing the interaction between music and the visual arts. Featured covers include Salvador Dali’s skewered butterfly for Jackie Gleason and Banksy’s stenciled graffiti for Blur.Since the dawn of modernism, visual and music production have had a particularly intimate relationship. From Luigi Russolo’s 1913 Futurist manifesto L’Arte dei Rumori (The Art of Noise) to Marcel Duchamp’s 1925 double-sided discs Rotoreliefs, the 20th century saw ever more fertile exchange between sounds and shapes, marks and melodies, and different fields of composition and performance. In Francesco Spampinato’s unique anthology of artists’ record covers, we discover the rhythm of this particular cultural history. The book presents 450 covers and records by visual artists from the 1950s through to today, exploring how modernism, Pop Art, Conceptual Art, postmodernism, and various forms of contemporary art practice have all informed this collateral field of visual production and supported the mass distribution of music with defining imagery that swiftly and suggestively evokes an aural encounter. Along the way, we find Jean-Michel Basquiat’s urban hieroglyphs for his own Tartown record label, Banksy’s stenciled graffiti for Blur, and a skewered Salvador Dali butterfly on Jackie Gleason’s Lonesome Echo. There are insightful analyses and fact sheets alongside the covers listing the artist, performer, album name, label, year of release, and information on the original artwork. Interviews with Tauba Auerbach, Shepard Fairey, Kim Gordon, Christian Marclay, Albert Oehlen, and Raymond Pettibon add personal accounts on the collaborative relationship between artists and musicians.
5139 Руб.
Spampinato F., Wiedemann ED.J. Art record covers. 40th anniversary edition
This unique anthology of artists’ record covers, from the 1950s to today includes more than 450 covers, tracing the interaction between music and the visual arts. Featured covers include Salvador Dali’s skewered butterfly for Jackie Gleason and Banksy’s stenciled graffiti for Blur.Since the dawn of modernism, visual and music production have had a particularly intimate relationship. From Luigi Russolo’s 1913 Futurist manifesto L’Arte dei Rumori (The Art of Noise) to Marcel Duchamp’s 1925 double-sided discs Rotoreliefs, the 20th century saw ever more fertile exchange between sounds and shapes, marks and melodies, and different fields of composition and performance. In Francesco Spampinato’s unique anthology of artists’ record covers, we discover the rhythm of this particular cultural history. The book presents 450 covers and records by visual artists from the 1950s through to today, exploring how modernism, Pop Art, Conceptual Art, postmodernism, and various forms of contemporary art practice have all informed this collateral field of visual production and supported the mass distribution of music with defining imagery that swiftly and suggestively evokes an aural encounter. Along the way, we find Jean-Michel Basquiat’s urban hieroglyphs for his own Tartown record label, Banksy’s stenciled graffiti for Blur, and a skewered Salvador Dali butterfly on Jackie Gleason’s Lonesome Echo. There are insightful analyses and fact sheets alongside the covers listing the artist, performer, album name, label, year of release, and information on the original artwork. Interviews with Tauba Auerbach, Shepard Fairey, Kim Gordon, Christian Marclay, Albert Oehlen, and Raymond Pettibon add personal accounts on the collaborative relationship between artists and musicians.
5139 Руб.
Акустическая гитара Oscar Schmidt OCHS 1/2 Size Classical Acoustic Guitar - OCHS
Бренд: Oscar SchmidtМодель: OCHS-AU
52521 Руб.
Stampinato Francesco, Wiedemann Julius Art Record Covers
Since the dawn of modernism, visual and music production have had a particularly intimate relationship. From Luigi Russolo's 1913 Futurist manifesto L'Arte dei Rumori (The Art of Noise) to Marcel Duchamp's 1925 double-sided discs Rotoreliefs, the 20th century saw ever more fertile exchange between sounds and shapes, marks and melodies, and different fields of composition and performance. In Francesco Spampinato's unique anthology of artists' record covers, we discover the rhythm of this particular cultural history. The book presents 450 covers and records by visual artists from the 1950s through to today, exploring how modernism, Pop Art, Conceptual Art, postmodernism, and various forms of contemporary art practice have all informed this collateral field of visual production and supported the mass distribution of music with defining imagery that swiftly and suggestively evokes an aural encounter. Along the way, we find Jean-Michel Basquiat's urban hieroglyphs for his own Tartown record label, Banksy's stenciled graffiti for Blur, and a skewered Salvador Dali butterfly on Jackie Gleason's Lonesome Echo. There are insightful analyses and fact sheets alongside the covers listing the artist, performer, album name, label, year of release, and information on the original artwork. Interviews with Tauba Auerbach, Shepard Fairey, Kim Gordon, Christian Marclay, Albert Oehlen, and Raymond Pettibon add personal accounts on the collaborative relationship between artists and musicians.
3676 Руб.