duncan paul muller jurgen horror cinema
Duncan Paul, Muller Jurgen Horror Cinema
Get ready to quake in fear with this revised and expanded edition of our history of horror cinema. From serial killers to satanists, The Shining to Scream, some 600 pages explore the genre’s favorite themes, mythologies, and motifs, and get up close and trembling to 50 top horror masterworks from the 1920s to the 2000s.
4869 Руб.
Paul Duncan. Horror Cinema
Пересмотренное и дополненное, окончательное руководство по кино ужасов. Приготовьтесь дрожать от страха с этим переработанным и расширенным изданием нашей истории кино ужасов. В этом леденящем кровь томе 640 страниц с лучшими слэшерами, привидениями, зомби, каннибалами и многим другим, где собраны самые жуткие экранные творения от мерцающих призраков 1920-х годов до ужасов со спецэффектами 21-го века. В 10 иллюстрированных главах сборник раскрывает некоторые из любимых персонажей и тем ужасов, будь то вампир, дом с привидениями, женщина-убийца или оборотень. Каждый классический прием исследуется в эстетических и исторических терминах, исследуя манипулирование ужасами архетипическими человеческими страхами, а также тревогами, специфичными для общества и культуры. Последующий раздел «50 лучших фильмов» знакомит читателей с 50 произведениями ужасов, от черно-белой классики, такой как «Доктор Джекил», «Мистер Хайд» и «Годзилла», до «Ребенка Розмари», «Плетеного человека», «Сияния», «Ведьмы из Блэр» и многих других. На протяжении всей книги изображения включают постеры фильмов, декорации, кадры из фильмов и кадры со съемок.Пол Дункан — историк кино, чьи книги TASCHEN включают «Архивы Звездных войн», «Архивы Джеймса Бонда», «Архивы Чарли Чаплина», «Семейный альбом Крестного отца», «Таксист», «Фильм-нуар» и «Кино ужасов», а также публикации о режиссерах и жанрах фильмов и звездах кино.Юрген Мюллер заведует кафедрой истории раннего Нового и Нового времени в Техническом университете Дрездена. Он изучал историю искусств в университетах Бохума, Мюнстера, Пизы, Парижа и Амстердама, работал искусствоведом и куратором многочисленных выставок. Он также является редактором фильмов TASCHEN по десятилетним сериям.Revised and expanded, the ultimate guide to horror cinema. Get ready to quake in fear with this revised and expanded edition of our history of horror cinema. This chilling volume packs 640 pages full with the finest slashers, ghosts, zombies, cannibals, and more, curating the very creepiest screen creations from the flickering spooks of the 1920s to the special-effect terrors of the 21st century. Across 10 illustrated chapters, the compendium gets under the skin of some of horror's favorite figures and themes, whether the vampire, the haunted house, the female killer, or the werewolf. Each classic device is explored in aesthetic and historical terms, probing horror's manipulation of archetypal human fears as much as socially and culturally specific anxieties. A subsequent Top 50 movies section brings readers up close and trembling with 50 horror showpieces, from black-and-white classics like Dr Jekyll and Mr Hyde and Godzilla to Rosemary's Baby, The Wicker Man, The Shining, The Blair Witch Project, and much, much more. Throughout, the book's featured images include movie posters, set designs, film stills, and on-set shots. Paul Duncan is a film historian whose TASCHEN books include The Star Wars Archives, The James...
2750 Руб.
Duncan Paul, Muller Jurgen Film Noir
Tout ce que vous devez savoir sur le film noir Assurance sur la mort, En quatrieme vitesse ou Le Grand sommeil… deambulez a travers un univers cinematographique a l’elegance sombre et inquietante grace a ce guide essentiel sur le film noir. Du detective prive aux flics corrompus, en passant par les crimes parfaits et les affaires maudites, les editeurs Paul Duncan et Jurgen Muller explorent les themes cles du genre et ses productions les plus representatives sorties entre 1940 et 1960. Richement illustre d’images de film et d’affiches originales, cet ouvrage se penche, au fil des pages, sur les mises en scenes les plus magistrales et analyse les scenarios modeles d’un genre mysterieux, envoutant et varie. Pour satisfaire encore plus votre appetit de cinephile, le livre se clot par la liste des 50 plus grands films noirs selon Taschen. Avec son lot d’heroines enigmatiques, de gangsters aux abois et de tueurs psychopathes dont l’ombre fascinante continue de planer sur le cinema, voici le guide indispensable pour les specialistes comme les amateurs du genre noir.
4579 Руб.
Penner Jonathan, Schneider Steven Jay, Duncan Paul Horror Cinema
Horror is both the most perennially popular and geographically diverse of all film genres; arguably, every country that makes movies makes horror movies of one kind or another. Depicting deep-rooted, even archetypal fears, while at the same time exploiting socially and culturally specific anxieties, cinematic horror is at once timeless and utterly of its time and place. This exciting visual history, which includes unique images from the David Del Valle archive, examines the genre in thematic, historical, and aesthetic terms.
1049 Руб.
100 Movies of the 2010s
The movies that shaped the 2010s Cinema has likely never been written off so often. In the decade of the 2010s, it is true, much has changed - both in how we watch movies, and in how we see ourselves. Social media and the internet have shaped a new understanding of the self and the world. As streaming services multiplied our viewing options and video games offered alluring realities of their own, the big screen faced serious competition. Even before the usual delays between theatrical release and further distribution became ever shorter, movies often found themselves downgraded to mere "content", to be clicked at on colorful screen tiles. Are all that remain to cinema its cult of celebrity, blockbusters, and computer-animated visual effects? Quite the contrary - even a cursory glance at our anthology reveals a cinema that is surprisingly diverse, dynamic, and above all alive and kicking, resulting in a decade that was anything but boring, monotonous, and doomed to extinction. And in all honesty: Would you really be satisfied watching all the films compiled here purely via streaming? The movie theater remains a place of yearning, and our book lets you feel its powerful breath. Each of the 100 most compelling movies of the decade is discussed in detail by editor Jurgen Muller and his team of authors, and illustrated with a wealth of visual material. The volume also includes biographies of actors and directors, box-office takings, background information, and a comprehensive list of Oscar® winners from 2012 to 2021. For Jurgen Muller and Philipp Buhler in their wide-ranging introduction, Quentin Tarantino's masterpiece Once Upon a Time... in Hollywood (2019) offers the perfect metaphor for the contradictions and ambivalences of contemporary cinema. This volume is a new milestone for all cineastes and movie lovers!
5461 Руб.
Muller Jurgen Bruegel. Sämtliche Gemälde
Eine eingehende Untersuchung des malerischen Werks Pieter Bruegels d. A. Die Zeit von Pieter Bruegel d. A. (um 1526/30-1569) war gepragt von starken religiosen und politischen Konflikten. In seine Lebensjahre fallen die Konfessionskriege, die grausame Herrschaft des Herzogs von Alba als Statthalter der spanischen Niederlande und die Grauel der Inquisition. Bis heute geben Leben und Werk des flamischen Kunstlers Ratsel auf. Wahrend die fruhe Forschung den volkstumlichen Charakter von Bruegels Werk betonte, messen aktuellere Untersuchungen dem humanistischen Inhalt eine gro?ere Bedeutung bei. Ursprunglich geht seine Malerei auf die Arbeit fur den Verleger Hieronymus Cock zuruck. Bruegel entwarf zahlreiche originelle grafische Bilderserien, die mit Erfolg in ganz Europa vertrieben wurden. Zu Darstellungen von Tugenden und Lastern gesellten sich lebhafte Bauernfeste sowie eindrucksvolle Landschaftspanoramen. Danach konzentrierte er sich immer starker auf die Malerei und schuf vor allem Werke fur die kulturelle Elite Antwerpens und Brussels. Bruegel war ein Kunstler, der sich mutig mit seiner Zeit auseinandersetzte und durch eigene Denkansatze zu neuen Bildfindungen und Losungen gelangte. Anstatt die Realitat zu verklaren, thematisierte er die Grausamkeit der Religionskriege und zeigte sich auch kritisch gegenuber der Kirche. Geschickt verbarg Bruegel seine politischen und religiosen Ansichten hinter einer anspielungsreichen Bildsprache, die den Betrachter bis heute dazu anreizt, hinter den scheinbar harmlosen Alltagsszenen versteckte, hintergrundige Botschaften zu entdecken. Basierend auf TASCHENs XXL-Monografie, einem umfassenden Uberblick uber das Gesamtwerk Bruegels, enthalt dieser zum 40-jahrigem Jubilaum des Verlages erscheinende, kompakte Band samtliche 40 Gemalde des Ausnahmekunstlers. Hochwertige Reproduktionen inklusive ausgesuchter Detailaufnahmen sowie kenntnisreiche Texte machen deutlich, wie Bruegel auf geistreiche wie zeitlose Weise das Theater des Lebens einfing, und enthullen sein uberlebensgro?es Universum in beispielloser Klarheit
6164 Руб.
Muller Jurgen Movies of the 1960s
Positioned precariously between the uptight '50s and the freewheeling '70s, the 1960s marked a transitional decade in the film industry. As art, mass market, and pop culture merged and collided in true pop art style, cinema swirled with psychedelic energy. This handbook gathers the best films of the era, exploring the making and the mastery of such cinematic star turns as The Leopard, The Birds, Belle de Jour, A Fistful of Dollars, and Doctor Zhivago. With audiences ever more glued to their TV sets and the loosened rules about what was "permissible" in cinema with the abolition of the Production Code, filmmakers embraced the freedom to explore the possibilities of film as an art form. As was often the case, the Europeans led the way, the French with Nouvelle Vague directors like Godard and Truffaut, and the Italians with such innovative films as Fellini's 8 1/2 and Antonioni's Eclipse. By the mid-'60s the United States also began to exercise greater creative liberties, especially in films from young underground directors such as Russ Meyer, John Frankenheimer, and Sam Peckinpah. Meanwhile, Mary Poppins and The Sound of Music ushered out the grandiose Hollywood musical era with a bang while the Spaghetti Western became an instant phenomenon. Bond, James Bond, first appeared on-screen and Kubrick set new standards for sci-fi with 2001: A Space Odyssey. Though the term "feminism" may not have been ready for prime time, the decade was also one of major advances in female characterization. From Jane Fonda's Barbarella to Holly Golightly of Breakfast at Tiffany's to Bonnie Parker of Bonnie and Clyde, it was the 1960s that saw women on-screen graduate from decorative accessories to complex, kick-ass personas.
3009 Руб.
Muller Jurgen Bruegel. The Complete Paintings
An in-depth exploration of Bruegel’s painted work The life and times of Pieter Bruegel the Elder (c. 1526/30–1569) were marked by stark cultural conflict. He witnessed religious wars, the Duke of Alba’s brutal rule as governor of the Netherlands, and the palpable effects of the Inquisition. To this day, the Flemish artist remains shrouded in mystery. We know neither where nor exactly when he was born. But while early scholarship emphasized the vernacular character of his painting and graphic work, modern research has attached greater importance to its humanistic content. Starting out as a print designer for publisher Hieronymus Cock, Bruegel produced numerous print series that were distributed throughout Europe. These depicted vices and virtues alongside jolly peasant festivals and sweeping landscape panoramas. He then increasingly turned to painting, working for the cultural elite of Antwerp and Brussels. Rather than idealizing reality, he bravely confronted the issues of his day, addressing the horrors of religious warfare and taking a critical stand against the institution of the Church. To this end, Bruegel developed his own pictorial language of dissidence, lacing innocuous everyday scenes with subliminal statements in order to escape repercussions. This book is derived from our XXL monograph, which saw TASCHEN undertake a comprehensive photographic survey of the artist’s oeuvre. The result boasts exceptional details and reproductions, unveiling Bruegel’s larger-than-life universe with unprecedented clarity. This volume, in celebration of our 40th anniversary, presents all 40 paintings, accompanied by enlarged details and accessible, immersive texts.
6022 Руб.
Сумка шоппер Us Basic, черный
Название принта: Аниме Город Ужасов - Anime Horror City. Автор принта: Paul Hmus. Сумка шоппер, 100% хлопок, джерси Аниме Город Ужасов - Anime Horror City Paul Hmus
690 Руб.
Muller Jurgen 100 Movies of the 1990s
The ultimate 1990s movie compendium The last decade of the 20th century consolidated once again the fascinating power of the silver screen, both by looking to the future and drawing on the past. It's no exaggeration to say that never before had there been a time when the cinema focused so ironically on its own vanity, and never had it been so intensely preoccupied with itself as a medium. Filmmakers like Steven Soderbergh, David Lynch, Quentin Tarantino, and Ang Lee created worlds that were as cryptic as they were disorientating, while James Cameron and Steven Spielberg conjured up ever more spectacular special effects. Do you dream of wandering the desert with The English Patient? Could you save yourself from the doomed Titanic? Are you still convinced that There's Something About Mary? 100 Movies of the 1990s reviews cinema's most important events from 1991 to 2000 and brings to life a rich variety of movie highlights. The storyline and aesthetic characteristics of each film are presented in an incisive and informative way. Commentaries on actors, directors, and historical or technical aspects of cinema introduce additional features of interest. 100 Movies of the 1990s is specialized yet entertaining, clear yet challenging. A work resembling a great moment of cinema, unforgettable and utterly gripping.
8856 Руб.
Best Movies of the 70s
The birth of the blockbuster: The prodigies of the 1970s revolutionize cinema. The 1970s: that magical era betwixt the swinging 60s and the decadent 80s, the epoch of leisure suits and Afros, the age of disco music and platform shoes. As war raged on in Vietnam and the cold war continued to escalate, Hollywood began to heat up, recovering from its commercial crisis with box-office successes such as Star Wars, Jaws, The Exorcist, and The Godfather. Thanks to directors like Spielberg and Lucas, American cinema gave birth to a new phenomenon: the blockbuster. Meanwhile, across the Atlantic, while the Nouvelle Vague died out in France, its influence extended to Germany, where the New German Cinema of Fassbinder, Wenders, and Herzog had its heyday. The sexual revolution made its way to the silver screen (cautiously in the US, more freely in Europe) most notably in Bertolucci's steamy, scandalous Last Tango in Paris. Amidst all this came a wave of nostalgic films (The Sting, American Graffiti) and Vietnam pictures (Apocalypse Now, The Deer Hunter), the rise of the anti-hero (Robert De Niro, Al Pacino, Dustin Hoffman), and the prestigious short-lived genre, blaxploitation. 140 A-Z film entries include: - Synopsis - Film stills and production photos - Cast/crew listings - Box office figures - Trivia - Useful information on technical stuff - Actor and director bios Plus: a complete Academy Awards list for the decade About the editor: Jurgen Muller has worked as an art critic, a curator of numerous exhibitions, a visiting professor at various universities, and has published books and numerous articles on cinema and art history. Currently he holds the chair for art history at the University of Dresden, where he lives. Muller is the series editor for TASCHEN's Movies decade titles. Издание на английском языке.
1012 Руб.
Muller Jurgen Best Movies of the 80's
TASCHEN's 25th anniversary - Special edition! Step right up and get your fill of 80s nostalgia with the movie bible to end all movie bibles. We've diligently compiled a list of 140 of the most influential movies of the 1980s that's sure to please popcorn gobblers and highbrow chin-strokers alike. The 80s was a time for adventurers, an era of excess, pomp, and bravado. In the era when mullets and shoulder pads were all the rage, moviegoers got their kicks from flicks as wide-ranging as Blade Runner, When Harry Met Sally, and Blue Velvet. Without a doubt, sci-fi was the most important genre of the decade, with non-human characters like E.T. winning the hearts of millions while the slimy creatures from Aliens became the stuff of nightmares and movies like Ghostbusters and Back to the Future fused comedy and sci-fi to the delight of audiences everywhere. In fact, the 1980s saw the invention of a new reality, a movieworld so convincingly real - no matter now far-fetched - that spectators could not help but abandon hemselves to it. Now that's entertainment, folks. Features: Cast/crew listings, Box office figures, Trivia, Film stills, Useful information on technical stuff.
1049 Руб.
Muller Jurgen, Schauerte Thomas Bruegel. The Complete Works
The life and times of Pieter Bruegel the Elder (c. 1526/30-1569) were marked by stark cultural conflict. He witnessed religious wars, the Duke of Alba's brutal rule as governor of the Netherlands, and the palpable effects of the Inquisition. To this day, the Flemish artist remains shrouded in mystery. We know neither where nor exactly when he was born. But while early scholarship emphasized the vernacular character of his painting and graphic work, modern research has attached greater importance to its humanistic content. Starting out as a print designer for publisher Hieronymus Cock, Bruegel produced numerous print series that were distributed throughout Europe. These depicted vices and virtues alongside jolly peasant festivals and sweeping landscape panoramas. He would eventually increasingly turn to painting, working for the cultural elite of Antwerp and Brussels.
14065 Руб.
Alain Silver. Film Noir
Все, что вам нужно знать о фильме «Нуар». Будь то «Двойная компенсация», «Поцелуй меня насмерть» или «Большой сон», бродите по мрачному и задумчивому элегантному экранному миру с этим незаменимым справочником по фильму «Нуар». Редакторы Пол Дункан и Юрген Мюллер, от частных сыщиков и совершенных преступлений до коррумпированных полицейских и обреченных дел, исследуют ключевые темы нуара и их наиболее показательные фильмы с 1940 по 1960 годы мастерских визуальных композиций нуара, исследуя повествовательные парадигмы этого загадочного, неотразимого и развивающегося жанра. Если этого недостаточно, чтобы утолить ваш кинематографический аппетит, том завершается подборкой TASCHEN из 50 лучших классических нуарных фильмов. Эта книга, наполненная загадочными дамами, отчаянными гангстерами и психопатами-убийцами, которые продолжают отбрасывать длинную и пленительную тень на кинематограф, является обязательным справочником как для поклонников нуара, так и для любителей. «Преступность еще никогда не выглядела так хорошо» - Таймс, ЛондонAll you need to know about Film Noir Whether it's Double Indemnity, Kiss Me Deadly, or The Big Sleep, roam a screen world of dark and brooding elegance with this essential handbook to Film Noir. From private eyes and perfect crimes to corrupt cops and doomed affairs, editors Paul Duncan and Jurgen Muller examine noir's key themes and their most representative movies from 1940 to 1960. Copiously illustrated with film stills as well as original posters, this book offers page after page of noir's masterful visual compositions while exploring the narrative paradigms of this cryptic, compelling, and evolving genre. If that weren't enough to tickle your cinematic appetite, the volume concludes with TASCHEN's top 50 pick of noir classics. Brimming with the enigmatic dames, desperate gangsters, and psycho killers that continue to cast a long and captivating shadow over cinema, this is a must-have handbook for noir aficionados and amateurs alike. "Crime has never looked so good." -- The Times, London
2750 Руб.
Movies of the 50s
At a time when people were terrified of UFOs and Communism, the movie industry was busy producing movies that ranged from film noir to suspense to grandiose musicals; apparently the paranoid public in the 1950s craved family entertainment and dark, brooding pictures in equal doses. The result is a decade`s worth of truly monumental cinema, from Hitchcock masterpieces (Vertigo, Psycho, Rear Window) to comedy classics (Tati`s Mr. Hulot`s Holiday, Billy Wilder`s Some Like it Hot) to groundbreaking nouvelle vague films (Godard`s Breathless, Truffaut`s The Four Hundred Blows) and profound, innovative dramas such as Antonioni`s L`Avventura, Fellini`s La Strada, John Huston`s Misfits, and Kubrick`s Paths of Glory. Though censorship kept sex safely off-screen, sexy stars such as James Dean, Marlon Brando, and Marilyn Monroe provided plenty of heat in Rebel Without a Cause, A Streetcar Named Desire, and Gentlemen Prefer Blondes respectively. This survey of the most important films of the 1950s covers all the wholesome, subversive, artistic, thrilling, and mysterious trends in cinema worldwide. A-Z film entries include: - Synopsis - Film stills and production photos - Cast/crew listings - Box office figures - Trivia - Useful information on technical stuff - Actor and director bios Plus: a complete Academy Awards list for the decade About the editor: Jurgen Muller has worked as an art critic, a curator of numerous exhibitions, a visiting professor at various universities, and has published books and numerous articles on cinema and art history. Currently he holds the chair for art history at the University of Dresden, where he lives. Muller is the series editor for TASCHEN's Movies decade titles. Издание на английском языке.
2892 Руб.
Penner Jonathan, Schneider Steven Jay Horror Cinema
The best scary movies of all time. This exciting new visual history examines the genre in thematic, historical, and aesthetic terms. Horror is both the most perennially popular and geographically diverse of all film genres; arguably, every country that makes movies makes horror movies of one kind or another. Depicting deep-rooted, even archetypal fears, while at the same time exploiting socially and culturally specific anxieties, cinematic horror is at once timeless and utterly of its time and place. This exciting new visual history, which includes unique images from the David Del Valle archive, examines the genre in thematic, historical, and aesthetic terms, breaking it down into the following fundamental categories: Slashers & Serial Killers; Cannibals, Freaks & Hillbillys; Revenge of Nature & Environmental Horror; Sci-fi Horror; The Living Dead; Ghosts & Haunted Houses; Possession, Demons & Evil Tricksters; Voodoo, Cults & Satanists; Vampires & Werewolves; and The Monstrous-Feminine. Among the many films featured are classics such as Psycho, Texas Chainsaw Massacre, Alien, The Exorcist, Dracula, and The Wicker Man. About the editor: Paul Duncan has edited 50 film books for TASCHEN, including the award-winning The Ingmar Bergman Archives, and authored Alfred Hitchcock and Stanley Kubrick in the Film Series. About the authors: Jonathan Penner has written for movies, television, magazines, and blogs, and has worked extensively as an actor, screenwriter, and producer. His film credits include the cult classic The Last Supper, the Hamlet-inspired Let the Devil Wear Black and the short film for which he was Oscar-nominated, Down on the Waterfront. Steven Jay Schneider received his MA in Philosophy from Birkbeck College, University of London, and is a Ph.D candidate in Cinema Studies at New York University. He is the author or editor of numerous books on film.
1928 Руб.